Thiruvananthapuram: Critical written by poet Prabha Varma will be displayed in the carnatic music concert at Vyloppilly Samskrithi Bhavan on December 30.
This will be carried out by critical Shyama who also composes Samskrithi ‘Critical’.
Vylopilly Bhavan is the host of the carnatical music concert as part of a group of classical music lovers to regain the glory of Carnatic music.
R Ramachandran Nair is the last Malay poet to write ‘critical’ carnatical music under the name of the penulaseevanam pen.
Writing and composing ‘critical’ for carnatic music, often considered a difficult task, requires a very good combination of vocabulations, music awareness and classical music listening skills.
In Carnatic music, ‘Kriti’ was arranged in harmony with a melody.
All critical carnatical music has so far been compiled with demand for gods, their praise and synonyms for the gods.
Prabha Varma’s works are distinguished by beautiful images and symbolism.
Prabha Varma adopted a different approach when writing ‘critical’ in the Swathi Tradition Thirunal, Ilayimman Thulaseevanam and many other writers.
Clear music concerts must always have various melodies and rhythms.
Even the rhythm itself must be prepared at different speeds to make concerts warm the heart.
Carnatical music must combine melodies and musicality.
All of these qualities are abundant in the work of Prabha Varma and they are full of the beauty of literature, according to organisers.
Prabha Varma ‘Kriti’, such as “Neelabha Prabha Nee …
NeeraZhiyil Veenayo ….
Nin Neelimayal Kadalealleelichaayo” shows that the song singing of carnatics is rich in beauty poetic.
The work on Hanuman, which began with “Pavanam Paripavanam” in Nattakurinji Raga, is set in the rhythm of ‘Misra Chapa’.
There will be eight ‘critical’ like that in a concert.