Story: Bhaskar is a small thief who stole to meet needs.
What happens when he accepts the advice of a mother to do the next robbery? Reviews: Hashit Goli made a star debut with King King Chora, chose to treat this like a redemption story instead of vehicles to showcase heroism.
After a long time in Tollywood, there are consequences for each action taken – even if it means pain for the main actors.
What’s more, the way the story is told, almost like something from Desi comic books, making interesting trials.
Bhaskar (Sree Wisnu) almost does not have a conscience.
Coming in the morning he worked at the Xerox shop where he likes to sleep and money nick from.
And at night, he passed the light as a thief who would steal from what could be done and save his booty in a junkyard.
Even though it has a kind of family life that will vie, he wants more than life and is willing to lie, cheat, and raise his way to the bribe.
For the advice of Anjamma Mother (Garavva), the prediction tends to change life, she wore a costume for the next robbery and seemed to hit a jackpot.
And it changed his life like Anjamma predicted, it’s just not the way he thought.
Raja Chora also had a character playing a role in changing the life of Bhaskar.
There is a software employee called Sanjana (Meghana) who has its own secrets to hide and Vidya (Simrann) a young mother who is pursuing law so she can be independent from men in their lives.
William Reddy (Ravi Babu) is the perfect pawn in the game, his childhood friend (Vasu Inturi) and a doctor (Srikanth Iyari) who only wants to make him great in real estate instead of taking care of patients.
Then there is a priest (Tanikella Bharani) who tells the story of Valmiki to the worshipers and owners of the Xerox Shop (Ajay Ghosh) who have the redemption of their own sin.
Hasit’s debut film has many things to offer when it comes to the way it is written and told.
Instead of leaning towards Humor Slaptstick, he remained correct with the existing story and did a good job to show the journey of Bhaskar from a stubborn man to the person who accepted responsibility for his actions.
Not only him; Sanjana and Vidya also get a bow character who learns more into who these women are.
This film plays like a modern version of Folklore and like a story like that it won’t, there is moral to learn in the end.
The number of characters displayed in the film may seem too much on paper but at the end of it all, most of them have something to do with the existing stories.
Only the Srikanth Iyenger character doesn’t seem to be in place, doesn’t add to the story even if he can be relied upon as before.
Sree Wisnu and Megha breathe life into their character but Simrann is very easy, it should be praised.
Ravi Babu and the character also adds quirkiness of the story where most of the character is innocent as seen.
Vivek Sagar’s music is worth mentioning specifically to play a good role in doing this fairy tale.
And while the narrative of an exciting Hasit, run-time doesn’t seem to be justified.
Then again, the choice was not in a hurry and gave a bhaskar character room to breathe and come to his property may not sit well with everyone who is used to a fast-paced cinema.
The first half of the story is funny and the second half is slow, do our best to connect you to a fairy tale.
Is King King Chora, the most imaginative story ever told? Maybe not, but finally becoming a pleasant trip promised! If light stories that don’t consider themselves too seriously are your cup of tea, this one for you.