Story: A blind pianist life built carefully revealed when he took a personal show at an aging actor’s house.
After digging his own grave, will he find a way to catch him? Reviews: Merlacaka Gandhi tries to take the Danhun and Tweak award winner’s black comedy a little for Maestro.
While the basic beats of the film remain familiar and almost frame to frame remakes, there is a heart that attracts the attention of sentiment and the main points of the spoon-Fed points while it is left imagination.
At the time of the scene where lead knocks soda can get out of their way rolling, you go with mixed feelings.
Arun (Nithiin) is a blind pianist in Goa, living in a defect quarter with only his cat Rani to be accompanied.
He plays his music in a local restaurant to meet needs and save enough money to go abroad.
Sophie (Nabha Natesh) and her father Pedro (Balakrishna) allowed him to play in their struggling restaurants.
In other places there are superstars who are called Mohan (Naresh) who likes to watch their old films to remember the loss of glory.
He was married to a much younger Simean (Tamannah Bhatia) since two years and he gave birth to a dream of becoming an actress.
Maestro also saw Jisshu Sengupta as a ci named Bobby, Sremukhi as his wife was lucky and Harshavardhan as a doctor who wants to make money fast.
Forbidden attempts to leave the murder behind him, a key witness must find a way to save himself and rabbits escape from the cabbage agriculture on time.
Maestro remains loyal to the original Hindi film for the most part even though Andhadhun fans may find the addition of unnecessary scripts.
The power of the script lies in the fact that there is no one, except for maybe Sophie, Mohan and her daughter Pavithra (Ananya Nagalla) is equally harmful.
Every character is willing to cross the line when it comes down there, some are more dangerous than others.
So, so that they act are not of anything other than self-preservation taking from the eighth way they are perfected.
Given the core of this film, it looks like tweaks trying to redeem characters even when the end takes them back to the square.
Dark humor also seems lost in the way the film takes place.
Nithiin seems to enjoy playing someone who doesn’t exactly have a high-ground moral even if most of the people who met he seemed worse than him.
He fits the character’s skin, well when he pretends to be something or when he finally underwent a nightmare.
Nabha’s character has a carpet out of the bottom and he holds it himself in the film where he is always the last to know anything.
Tamnah was also good when a young wife who found her herself in a line and crossed it in a short time, she was very suitable for the most part.
However, his telugu diksi annoyed and eliminated the intensity of certain scenes.
The rest of the actor also plays their part well.
Mahati Swara Sagar haunted Vennello Aapilla left the impression while the rest of the song and BGM was fine.
Which says; Maestro may not be a classic nilairayaajaja number specified but still interesting as the latest Peppy number.
It makes it worth watching.