The story: ‘A fairy tale from the true tragedy’, Pablo Larraín’s psychological drama is a turmoil of Diana (Kristen Stewart) because she was reluctant to attend a three-day Christmas celebration in the Estate Sandringham in Norfolk.
He was also worried that the same fate as Anne Boleyn waited for him this film did not enter the chronological details of the marriage that collapsed, a messy divorce or the Charles extramble relationship with Camilla Parker Bowles (second wife).
Need a fly on the wall approach when we watch Diana struggle to voice his suffering.
Must make peace with the wings cut, his mental upheaval forms the core of the story.
Navigate a fancy dress and broken heart, Spencer follows a beautiful princess on the verge of nervous disorders.
Not certain and unhappy, he oscillated hysterically across the halls haunting the Majestic Palace.
Suffering from eating disorders, insomnia, delusion, he took every opportunity to escape from a hostile view and cold and patronous words.
Fed up by wearing a happy face that spreads the silence culture, we witnessed it falling piece by piece, sinking in self-awareness, hurting themselves and ridicule.
Caught in a circle of royal tasks, protocols, and traditions that have never ended, the most prestigious family in the UK remains aware of Diana’s mental health that cripples.
Except those who demeaned ‘was that he took action against gossip, his clothes raised more worries than his welfare.
Jonny Greenwood is almost sufficient; Anxiety induces music strengthening pain and insulation internalization.
It is interesting that Diana’s life has been well documented but he continues to be a mystery.
This might be the reason why his chaotic life continues to inspire countless films.
The situation is a nightmare disguised as a fairy tale.
A woman who was worshiped by millions and was most photographed, constantly visible and heard at her own house.
A woman, who gave hope, struggled to find her leg.
Larraín tense accounts paired the reality of Diana against myths.
The film said a lot without much talk and it was the most defining aspect.
Gold Corrin brilliant like Diana and Stewart gave the character of his own round.
He gets a slope head, looks down, the royal attitude that speaks softly, the behavior and personality that is difficult to understand.
To get an accent and English voice at the point, Stewart whispered for most of the film.
Without subtitles, this is a bit of practice for you to take part in the dialogue.
The actress is stronger and revelation in non-verbal scenes.
Catharsis climax shown brilliantly moves you to cry.
This is the best job of Christian Stewart until now.
As Diana, his rejection to fall in line although it was broken in it free.
Spencer is the story of every woman, who is bored living.
It breaks the idea of ​​our privilege and happiness.
Diana has it all …
beauty, wealth, and family, but everything comes with the cost of its own freedom and identity.