Story: The film records the life of the actor-political-changing JayaLalitHAA (Kangana Ranaut), its relationship with the legendary MG Ramachandran (Arvind Swamy) and its chaotic redness as a former Minister of Tamil Nadu.Review: In iconic figure: in Indian politics, political trips Known by most.
Director Vijay tried to unravel his cold personality and looked at him as a woman who was driven by love.
Don’t get me wrong.
A woman’s fight for self-esteem and battle against patriarchal is an integral of the story.
However, what is in the heart of the story is unconditional love for Mgr.
The purity of their love remains intact even as a gloomy politics, the struggle of power and people is Hellbent in both separation.
The bond between the two is very felt.
Scenes where you see both of them pamper themselves in a quiet telephone conversation with no one exchange but the heart speaks hard enough to convey a heartbreaking feeling.
Vijay gets a love story correctly and it is the core of the film.
Kangana Ranaut in the Titular role channel rebelled inner to make a point – he played the second violin for anyone.
The classic casts of the screen character imitates real life by the way.
He made a strong portrayal of a beautiful woman who continued to increase like Phoenix from Abu.
He raised detailed scripts but formulas with calm determination and a strong presence.
He did not imitate Jaya but got the tone and nuances of his character correctly.
Kangana found a perfect friend at Arvind Swamy as Mgr, a mentor and her love, the wind under the wing.
He brought certain tranquility on the storm that swallowed Jaya.
Swamy is not perfect in his behavior and body language.
There is no way there is a better actor to play the Tamil screen icon and people’s leaders.
While many ‘dialogue dialogue’ and strowmo walks fill the second round of stretchy politics, the strong point of the film lies in a very painful love story.
A former Film Heroes went up to power not going down too well with men and that point was delivered in a recurring and theatrical way.
Editing shoddy and hard background scores are another matter.
Dialogue with difficulty was written and about the right record.
“Mahabharat Ka Dusra Naam Jaya Hai” summarizes Jaya’s life perfectly.
The scene where Jaya tells her a sick mother that people only remember you when they need you, her righteous mother said, “Bina Matlab to Log Bhagwaan Ko Bhi Yaad Nahi Karte.” When Jaya was told that everyone respected Mgr and that he was no different, he said, “Krishna Ko Sab Pasand Karte, Mir Bhi Radha Ki Sab Mein Ginti Nahi Hoti.” Neteta Lulla costume is detailed and effective.
From the bra cone of the 60s and 70s to makeup and winged eye props, the recreation of the Begito era was well done.
At or pay a brilliant Ode for the love story of Piignan Jaya-Mgr.
Political portion feels respectful and has no objectivity.