Story: Bhudevipuram has a long-term family inheritance on the ancestral land and even as far as killing each other for it.
When Jagadish’s family faced the same fate, he needed to save the day before it was too late.
Reviews: Shiva Nirvana forgetting the usual love triangle (Ninnu Kori, Majili) for a family drama that failed to take off.
While at first it seems like there is a part of the story he is willing to finish deeper, this film suffers the desire to do justice for every relationship and fail to do it for one of them.
Tuck Jagadish (Nani) is the youngest son of the family.
He loved by his father, stepmother, four siblings and nephews.
He is sensitive to animals and extra sensitive to his family, especially women.
Since the young age he always slipped his shirt and there was a reason for it.
His brother Bose Babu (Jagapathi Babu) is expected to take over from his father Aadisesh Naidu (Nasser) and keep the family by keeping them together.
Except, he has his own plan.
What happens is the story of a very relating fight between siblings and the nature and opinions that cannot be said.
Nothing produces an interesting watch.
Bhudevipuram seems to have high people on emotions and have not appeared as flat as a cut-out cardboard.
They are one note where each character has one job and a relationship to be fulfilled and only that they are headed.
Even the character of Ritu Varma Gummadi Varalakshmi – Vro Village, Character Aishwarya Rajesh Chandra, Daniel Balaji Veeerendra Naidu character and Thiruveer Tirumala Naidu character meets the same fate.
The dialogue stated, “Vadi Tuck Laagyaara, Nen Deeni Panasa Lagesta,” (You did not spit out it and I would not believe him) Don’t make it better.
Also there are no characters, especially men, which seems nothing better to do than harassing every woman they meet.
The number of times the man in this story tells women that they will commit sexually violence or continue and do it worry and too much to convey the intention.
It also didn’t help the problem when the father of a woman said, “Meerem Chapakharle, my Test Velipovochu,” (You don’t need to explain, you can take it away, just because the man seduces him to be rich.
Not to mention how women’s characters are traded because of a business agreement.
Moreover, the head rolled and arm cut without the second thought.
Everything that happened in this village was blamed at Annalu (Naxals), literally.
But Tuck Jagadish did find his downflow for a while, when Nani issued a card from his sleeve right before the interval.
That might not be trustworthy ‘twist’ but it has been hopeful for the film to get into thick.
It never happened.
Many farmers are made happy, the family is united again, criminals can show off their crimes, the hero can show off fighting and dancing skills It.
But when even his character said MRO meant a rowdy mental officer And not the Mandal income officer, you know everything is too far away.
Apart from the hope of a coherent storyline that surpassed “Naa Kutumbam Naa Pranam,” (my family is my life) never come true, Nani gives it all and makes the process watching.
You trust his character when he said he wanted to save the fighters from meeting the fate of being sick or when he truly believed he did not know the other mother in life than his stepmother.
His scenes with Aishwarya Rajesh and Jagapathi Babu lie in the heart of the film and he managed to make you addicted, even while condemning the most common lines.
Ritu Varma and Aishwarya Rajesh are reliable as usual, but they don’t have many things to do here.
Jagapathi Babu perfects his role, so do other actors.
Thaman s’ Music and Gopi Sundar BGM don’t have many things to write.
Tuck Jagadish promised to become a film that could be enjoyed with family at home in Vinayaka Chavithi.
And while it doesn’t fulfill that promise, it does have a momentable moment that might live with you.
But if you are bored with the same old formula film that depends on the emotions to bring it, so are we.