Story: ‘Yeh Mard Bechara’ revolves around violating the stereotype of virility.
Reviews: ‘Ye Mard Bechara’ is a simple story from Faridabad’s Sharma Family, where Patriarch, Ramprasad Sharma (Atul Srivastava), has his own idea about what it means to be a man: he forced his son, Shivam (Veeraj Rao), to keep the mustache because It is a family tradition and ‘Mard Ki Pehchaan’.
However, as a result of ramprasad pressure, his son’s life took a turn for a worse life.
A further blanket turned upside down when he fell in love with Shivalika (Manukriti Paha), a girl from her college.
But how can he make it impressed with his old appearance? Immediately after, he found himself trapped between traditions and love, and the events that followed, formed the core of Premise.Writere- Director of the film Anuup Thapa to deliver a message about gender equality by breaking the stereotype of toxic masculinity.
Screenplay tried very hard to convey that the story lost its substance during the period.
Even though the narrative was seasoned with one-liner and a situation that was easy to connect.
The phrase ‘Mard Bano, Mard’ is often repeated, it becomes a monotonous and does not entertain it at all.
Even Shivam’s climax statement was too cliched.
Overall, the story has potential, but because of relaxed execution, this 134-minute dramy is the task of watching and Shivam.
Manukriti’s performance is quite natural in several sequences, while Veeraj seems to be a careful camera, even during rap – ‘Yeh Mard Bechara’ – at the end of the film.As old middle class parents, Atul Srivastava and Seema Pahwa fun to see.
Brijesh Kala, Chacha Ji ‘belongs to Shivam,’ Chacha Ji, ‘Lends are good.
They managed to create shared hilarities, but the majority appeared as forced because of the use of the word ‘Mard’ in practical every sentence.
All said, ‘Ye Mard Bechara’ intends to send a message that ‘Mard Ko Dard’ Hota Hain ’emphasizes the social pressure of a man passing.
But it’s a paralyzed execution and paralyzed scenario makes it a pretty film!