Categories: Entertainment

Prasoon: Must get more real with the story

The writing of the famous Screenwriter and Lyrics of Prasoon Joshi at the 52nd International Film Festival in India in Goa is intended to help aspire creative professionals making aware choice to inspire people through their work instead of doing what they like.
In sessions with senior journalists, Prasion underscores the importance of being a society – centered on the work of a person among other things.
He said, “A mother raises her children and in the process, she gives up all things that may benefit it as an individual but not his child in his growth.
He thinks of a better and not only himself.
If I have to make a choice between writing something or sing something I like and something that can inspire, I will choose the last.
When I wrote Bhaag Milkha Bhaag, I often think to yourself whether this work can inspire more people in this country.
There is intention and intention that needs life .
Self-expression must be in a certain way to stick to larger goods.

Describing the type of writing that can inspire social change, Prasion said, “When I wrote Manikarnika: Queen Jhansi, the character of Rani Lax Mili guiding me.
When you choose a subject, only for that and see where you will take you.
The story can be told in a way Different.
Whatever needs to be made has been made; I only have a unique point of view.
For example, one sitting on the banks of the river will see the river differently from someone who moves against the current.
It remains true and authentic to your vantage points.
Authenticity Ki Ungli Thamiye , Raasta Khud Mil Jayega.

Prasion also praised the film festival for beginner artists who chose hands through 75 creative thoughts competition tomorrow, launched as part of Azadi Ka Amrit Mahotsav.
He emphasized the need to eliminate with the idea that success in the film business fully depends on coincidence.
He said, “The cinema must have magic, but makes the cinema should not be magic.
This is a serious craft.
We must make it with design and not by default.
Tukka or opportunity must be reduced.
We need to get a great cinema with design and not by chance .
when a child in the family said that he wanted to become a singer, filmmaker or an expert lyrics, families should be able to take it seriously because they would take him if he says he wants to be an engineer or a doctor.
that will happen when we start working towards exposure and learning That is serious.
We also have to focus on the more authentic to our story.
Many people told me that they had made films about villagers and farmers without interacting with them.
Unless more filmmakers come from various parts of our country, Milieus is different , different language sects, we won’t see k Eachrasaragaman.
Film Making is a business that produces work.
Making films should not be seen as gambling.
Someone must be convinced about his craft.

Prasoon also discussed the need to focus on the practical and artistic aspects of filmmaking, quoting composers A.R.
Rahman for example a technician who is always in touch with the practical side and technology from his craft.
“It is very important for everyone to know the practical aspects of their crafts.
No need to avoid techniques and practicality while becoming artistic,” he added.
As the head of the CBFC, Prasoon has oversee the certification of more than 25,000 films nationally in his term of office.
Given that there was more or less dispute, he was asked about his approach to the work.
He said that he believed in deliberations about disputes.
He said, “The organization’s discipline has its benefits.
I feel that creative people do not mean to be dangerous.
My colleagues in the industry will know that there are no accusations here.
There is a certification process and it is complex because our country is one of the most complexes in the world With its cultural diversity.
My approach is to open a discussion to find a solution, understand and accommodate various points of view.
While talking about trade and the share of wallets, you cannot ignore the sound section.

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