Sukekha Sikri, who was the right preparation and nuanced binding and high of the Delhi theater in the 1970s and who delivered the Field-perfect clutch performances in film and television, died after a heart attack in Mumbai on Friday morning.
He is 76.
“He suffered complications arising from the second brain stroke,” said Actor Agent Vivek Sidhwani told PTI.
The first stroke has occurred last September.
Whatever medium, Sikri approaches each part with sincerity and sensitivity; The acting is always informed by intense but elegant aesthetics.
One of his three national awards came to ‘Mammo’ (1994), rich worthy of the depiction of insecurity and the anxiety needed by the part.
The other two came in Telefilm Govind Nihalani, ‘Tamas’ (1988) and Director of Amit Sharma ‘Badhaai Ho’ (2018).
The mother-in-law is calm in the rank of ‘Badhaai Ho’ among the best performances and sedent it to the new generation of movie visitors.
“Shipping of dialogue, movement, sound modulation and character understanding are amazing.
And who can forget the luster of the eye?,” Asked Arvind Gaur, Director, Asmita Theater.
Delhi-born Sikri studied and sharpened his craft at the National School of Drama and was a valued member of the treasury company during the middle of the day.
MK Raina’s actor colleague remembered to be fascinated by his art.
“I have the privilege of acting with him for the production of NSD treasury, ‘Kabhi Na Chhode Khet’.
There was a scene when his son died.
I have never seen anything like this – kind of such acting.
Again in the game John Osborne which is directed by Ebrahim Alkazi, ‘Look back anger’, he is only, wow.
Unfortunately, there is no job since then.
Even in the television series like ‘Balika Vadhu’, you can see him a separate class, “Raina said, per junior day in the NSD ,
The two of the many games remembered were ‘Aadhe Adhure’ and ‘Sandhya Chhaya’, where he acted with Manohar Singh, another titan from the Delhi Theater.
Sikri received the Sangeet Natak Academy award in 1989.
Shyam’s famous film director Benegal remembers it as a player “flawless”.
“The theater training makes it a very disciplined actress.
When you go on the set when she is acting, you don’t need to tell her.
You gave her a scene and she did it myself.
He knew which costumes should he wear, get their make-up and really ready With the lines of the characters described it …
in some take, you will have the best quality performance, “Benegal Toi said by telephone.
Apart from ‘Mammo’, he directed him in ‘Sardari Begum’, ‘Zubeida’ and ‘Bhari’ day ‘, where Sikri first grade as a family matriarch that must fight old age diseases and play a jury, the jury and vahusecal fortification that is quibbling at the time same.
Raina said that Off Stage, Sikri “Happy-Go-Lucky”.
During the short telephone interview last year, he revealed the Hax party to this reporter.
Sikri talks about skipping once in the NSD to watch movies, ‘the magnificent people on their flying machines’, and were caught …
we were suspended for a week from attending classes, “he said.
Not many know that Sikri also translates ‘The ThreePenny Opera’ Bertolt Brecht.
“He has a great command over Hindustan and England,” said Raina.
He concluded, “Thorough, thinking, and asking, he is one of the Indian front rating actors who have left a large inheritance in the cinema, in the film and on television.”