Suman Ghosh filmmakers who have to compete with the film Certification Council in 2017 before freeing “cattle” and four other words requested to get out of his documentary at Nobel Laureate Amartya Sen-had experienced problems.
This time with the film ‘Aadhaar’ feature, Hindi comic drama.
Only it is not a struggle between Ghosh and the body that is certified, but “Super Sensor” in the form of an Indian unique identification authority that issued aadhaar cards.
Uidai has proposed “28 cuts” into the film – cleaned by CBFC in 2019 -falling its release without legal authority to do so.
Toi reaches an official of Uidai in Delhi, who confirms the department has “watched the film and asked for Edit” but declined to comment further.
“The film was intended to be released commercially on February 5 this year.
Right after the launch of the trailer in January, my producer (Jio Studios) received a call from Uidai officials who asked for screening,” said Ghosh, who taught economics in Miami and made a film -Film in India.
“I was not in India at that time.
The film was played for officials in Delhi in February after they suggested 28 cuts for permission.” Film, written and directed by Ghosh and deupated by Jio Studios and Drishyam films, arranged in 2010 and told Pharsua’s story (a fictional citizen from Jharkhand) which falls into a ravine when numerological village makes unpleasant predictions based on the prediction of his aadhaar numbers.
“Then took part in Pharsua’s journey where the importance of having aadhaar card was replaced by superstitious elements that often created obstacles in launching a national initiative,” explained Ghosh, emphasizing that the film, in fact, “Bolsters of the Aadhaar initiative case”.
But with Uidai as the last arbitrator of Destiny Aadhaar, the release of this film is currently hinged in objections that range from the use of the ‘Play Aadhaar Hoon’-A Play dialogue in the title Azaad Hoon Azaad Hoon Azaad Hoon Azaad Hoon’-Azaad Hoon Azaad Hoon Hoon ‘ The main Azaad Hoon’-.
“Which officials claim to degrade the Aadhaar program”; The scene where a village resident, tried to understand the privacy issue, asked: ‘Sarkar Kya Hamare Ghusal Khusal Mein Ghus Jayenge?’ (Will the government come to our bathroom?); And the order in which an old man wants to issue a katara for aadhaar biometric.
“They feel it is an inappropriate representation of their biometric recognition system that has now been improved,” Ghosh said.
“These points are excessive because the film is regulated that year that registration for Aadhaar cards begins.
The Certification Council is available for reasonable calls in the creative process.
How do government officials who do not have an understanding of metaphors, allegories or satire in a film, issuing dictates In the content, “Embed Ghosh, who is currently in Mumbai and writes to Saurabh Garg, CEO of Uidai last week illustrates the intent of the film.
“I teach the economic development economy and understand the use of cards such as Aadhaar.
As an economist, I have become a strong supporter of initiative,” said Ghosh in his letter, added that he had developed the concept of films to bring awareness between the masses about the potential for digital identity benefits.
When CBFC has a pro, posing to cut the Ghosh ‘Indian Argumentative documentary film, he can oppose it and seek official negotiations.
“The Regional Board Review Committee in Mumbai witnessed it back and after a peaceful discussion cleaned it with one piece,” telling Ghosh.
“In this case, I don’t know how to continue.
Uidai verbally delivered a change in my producer but has striked my request for an official request list or meeting,” Ghosh said.
“Even though they are legally unable to stop film release, my producer steps on egg skin.
Why do we have to go through this?” That, in the number, is what filmmakers do throughout the country, have also been trying to memorize since the I & B ministry proposed Indian cinematographic bills (amendments) in June, which, if they pass, will provide the “revisionary power” central government to the Central Government “Re-check” the film has been cleaned by CBFC.
More than 1,500 actors and filmmakers, including Kamal Haasan, Vishal Bhardwaj, Anurag Kashyap, Hansal Mehta, Shabana Azmi, Farhan Akhtar and Mira Nair, wrote an open letter to the Ministry earlier this month said their concern would make them “susceptible to threats, vandalism and intimidation of mass sensors.
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