Thiruvananthapuram: Critical written by poet Prabha Varma will be displayed in the carnatic music concert at Vyloppilly Samskrithi Bhavan on December 30.
This will be carried out by K R Shyama who has also compiled a critical ‘.
Vylopilly Samskrithi Bhavan hosts the Carnatic music concert as part of an effort to a group of classical music lovers to regain the glory of carnatical music.
R Ramachandran Nair is the last Malay poet to write ‘critical’ carnatical music under the name of the penulaseevanam pen.
Writing and composing ‘critical’ for carnatic music, often considered a difficult task, requires a combination of excellent vocabulary, music awareness and classical music listening skills.
In carnatic music, ‘Kriti’ is arranged in harmony with a melody.
All critical carnatical music has so far been compiled with demand for gods, their praise and synonyms for the gods.
Prabha Varma’s works are distinguished by beautiful images and symbolism.
Prabha Varma adopted a different approach when writing ‘critical’ in the Swathi Tradition Thirunal, Ilayimman Thulaseevanam and many other writers.
The concert of carnatical music must always have various melodies and rhythms.
Even the rhythm itself must be prepared at different speeds to make concerts warm the heart.
Carnatical music must combine melodies and musicality.
All of these qualities are abundant in the work of Prabha Varma and they are full of the beauty of literature, according to the committee.
Prabha Varma ‘Kriti’, like “Neelabha Prabha Nee …
Neerazhiyil Veenayo …
Nin Neelimayal Kadalealleelichaayo shows that the song of the carnatis song is rich in poetic beauty.
The work on Hanuman, which starts with” Pavanam Paripavanam “in Nattakurinji, is set in The rhythm of ‘Misra Chapa’.
There will be eight ‘critical’ like that in a concert.
Critical Prabha Varma is part of the Carnatic concert
